Cover Reveal: Iron Lights

Here she is, in all her end-of-trilogy glory:

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And with her sisters:

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Wow. I can’t wait to have all three on a table.

Speaking of tables, this weekend is GammaCon Canberra, for all your nerdy needs!

You can find out more here, or just show up at Exhibition Park between 9am and 5pm this weekend (or 6-11pm Saturday, for Gamma @ night—yes I’ll still be there, drunk on tiredness).

TrailerFest 2018

Today I decided that my 2-3 (I honestly don’t know) YouTube accounts needed tidying up, so I started a fresh new channel (because that simplifies things, right?) using the MagicintheMailStories@gmail.com email account.

As you may have guessed, I love doing my own book trailers. It’s so much fun!

The channel is here (don’t click on that; they’re all right here).

Then I slightly-edited ALL my existing book trailers to make sure they all link back to my store, and put them all on the magical new channel. And here, for your convenience… including the NEW trailer for IRON LIGHTS (with a sneaky cover reveal)… are all my book and story trailers thus far.

Antipodean Queen 1: Heart of Brass

This trailer took several days to make as I tried to capture the sense of the novel via visual images (a process that became tradition for all three Antipodean Queen trailers). It’s the first trailer I ever attempted, and my first go at iMovie too. I’d filmed the waterworks engine at the Goulburn Waterworks Steampunk & Victoriana Fair the previous October, and several of my friends like steampunk and/or historical garb (and dancing) so I found quite a lot of images that way, then filled the trailer out with some stock images, and some pics from Michael Estrada (who is very generous with his images; I found him on deviant art by accident some time ago).

There’s some adorably (I hope) bad photoshopping here, too: Combining a stock image of steampunk people with my own photo of a hot air balloon; the top hat on this trailer’s version of Matilda; the clumsy erasure of a modern background.

I have my own ideas about which people in this trailer represent which characters. The couple in the thumbnail are now married so they fit Matilda and Patrick rather well. In fact I usually run into them at the Goulburn Fair.

I remain pathetically grateful to FLAP! for letting me use three of their songs (one per trailer). I’ve seen them live twice (first in Melbourne, then Canberra) and I hope their component parts are still making music. This song is a true story about a convict’s attempted escape from a Tasmanian prison. The second is also a true story… this time about the time the lead singer fell off a cliff and broke both her legs!

Antipodean Queen 2: Silver and Stone

I was delighted to discover that the model Irina Braga (who features on the covers) had done three different steampunk photo shoots. The image below is one that hasn’t been altered. I actually stumbled across her husband on one of the facebook steampunk communities I’m part of, and he bought a copy of the first book.

This trailer benefited from the advance knowledge that it would exist; I deliberately collected images over time. One might argue that my daughter is the star here, and I am absolutely fine with that.

I’d noticed at my first book launch that it’s worth taking a moment to explain what steampunk is before carrying on. And that it’s fun to mix videos with still images (although stock video costs a LOT).

Yes, the first image after the opening train is indeed me, looking rather younger and fitter than I do these days. But I still have that corset 🙂

Antipodean Queen 3: Iron Lights

This trailer didn’t cost a cent. Almost every picture (and all three videos) were taken at—again—the Goulburn Waterworks Steampunk & Victoriana Fair. In fact the lady with the wings (Leanne, I think) had a not inconsiderable influence on the plot.

Eagle-eyed viewers may notice that the British flag-vested gentleman is the very same man that I thought of as ‘Patrick’ in the trailer for Heart of Brass, and that there are at least three versions of Emmeline in the one trailer (the woman with the clockwork handle in her back is author and model Tara Moss, who is a simply fantastic human being).

I was careful to include both my children this time. TJ is the boy in the brown aviator hat; Louisette is the tiara-wearing pirate (apparently “more treacherous than any sea” although she certainly doesn’t look it).

I LOVE the image of the three books side by side, and went back to add it to trailers #1 and #2.

The pictures of the lighthouse and the sea were all taken by me at the Lonsdale Lighthouse. ‘Miss Venture’ is a real historical image that I based the character on.

IRON LIGHTS will be launched on Sunday 26th August 2018 2:15-2:45pm at Kings’ Hall (Old Parliament House) as part of the Canberra Writers’ Festival.

Heest Trilogy 1: The Monster Apprentice (set in Rahana)

I wanted this trailer to feel quite different, so I hired some actor friends and told a story (of sorts) through the videos & music (this was a very expensive trailer). When I had all the internal illustrations, I added several of Tash Turgoose’s pics. I’m very pleased with the result.

Murder in the Mail: A Bloody Birthday

The fundamental appeal—and difficulty—of the “Murder in the Mail” story system is that it has to be explained to every single reader. For that reason, I tried to be as clear as possible. I filmed relatives of mine posting and retrieving A4 envelopes from mailboxes, and ultimately only used the “recipient” footage (although I like it a lot).

Louisette did some very matter-of-fact acting which I wanted to include but the “Murder in the Mail” artists gently pointed out that having a child prominently featured was rather confusing for a murder mystery story.

For some reason Adobe gave me several free stock images at just the right moment, so I used that plus some of the art that I had permission to use publicly. I paid for the music.

This trailer was very useful for the Kickstarter campaign, as it’s well above the usual Kickstarter video standards. This is what my trailers look like when I’m trying to be closer to the ‘professional’ end of the ‘professional to quirky’ scale.

Magic in the Mail story series (Emmeline’s Empire and Feuding Fae)

This trailer took perhaps half an hour, and cost nothing! The song is the same song that’s included with the Magic in the Mail: Emmeline’s Empire story, and I used 100% art images rather than stock images. I copied and pasted the Murder in the Mail trailer into a new file, and then simply changed it from there, being careful to echo the beats of the original without making the two trailers identical.

And since Magic in the Mail is more child-friendly than Murder in the Mail I could use Louisette’s face in this one. Winner.

 

Do I have any advice for people making their own trailers?

Hmmm. Try to keep it under a minute, with striking images and emotions that give a sense of the book rather than necessarily focusing on plot or characters.

Have an EPIC cover.

Keep in mind that you can get a pretty decent book trailer for $5 or so. 😛

Magic in the Mail

The (first?) “Murder in the Mail” Kickstarter was successful, raising thousands of dollars. You can read more about that story here.

As you can probably guess from the title, this led to further shenanigans.

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There are currently TWO “Magic in the Mail” stories in development:

Magic in the Mail: Feuding Fae

This is a tale of two missing magical creatures; a phoenix and a water dragon.

Phoenixes and dragons hate one another, so foul play seems likely. Their concerned parents team up with some magic-sensitive mortals to follow the missing “children” and perhaps save their lives. The missing ones have left a trail of art behind them (because an encounter with a magical creature inspires wonderful art).

It is posted in three parcels, and includes artistic objects which you’re going to love!

It is also 100% G-rated.

$50 plus postage (or $40 if you buy the boxed set in person at a conference/fair) through the store right here.

The first mail-out will be June **2019** but you can make preorders now.

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This beautiful anuragnathus (yes it’s a real dinosaur) by Alan Lam is part of the story—and yes, the Chinese character is both a clue and a red herring.

What does a dinosaur have to do with a story of magical runaways?

You’ll have to buy the story to find out.

Magic in the Mail: Emmeline’s Empire (mini story)

This is a steampunk fantasy tale set in the same world of magical metals as all my other steampunk, including my novels (in fact it takes place at the same time as part of Iron Lights and the game Attack of the Clockwork Army).

A Perfectly Ordinary (she says) shop-keeper named Xiong joins a fledgling rebellion headed up by the famous Emmeline Muchamore. It’s a tale of secrets, hope, aeronauts, lighthouses, an alternate reality Charles Dickens, and fruit ices for all.

$30 plus postage (in a single pack because I’m trying to keep it affordable) from my store here. Available now!

The first mail-out is. . . within 6 months of the first order. Probably more or less instantly. This story is a much smaller operation than the others. I’ll be feeling my way as I go.

A stripped-down version will be included with my third steampunk fantasy novel (available in August 2018), with just two black and white pieces of art included. The full version has a build-your-own hot air balloon, handmade jewellery and a steampunk song by the Littmus Steampunk Band!

Here’s one of the pieces of art. This is a print of an oil painting by Graham Gercken, who takes special orders.

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Since people tend to feel strongly about the genres of both crime and fantasy, “Magic in the Mail” has its own forum, here.

 

All my stories are available through my store here.

Antipodean Queen 3: Iron Lights

That’s right! The title has changed.

This is the final book in my magical steampunk trilogy. The first book is HEART OF BRASS and the second is SILVER AND STONE.

You can buy IRON LIGHTS here or a full Steam & Sorcery pack here (it includes all three novels, and the full version of Magic in the Mail: Emmeline’s Empire).

Emmeline Muchamore was respectable once. Her sweetheart, Matilda Newry, certainly put a stop to that. But when Emmeline gains magical insight into a disastrous future battle, she weaponises her wild reputation in order to draw trouble and death away from her adopted home…risking everything and everyone she loves in the process.

Iron Lightsis a steam-powered tale of honour, love, magic, adventure, and mechanical spiders.

The book will be released in August 2018, launched at the Canberra Writers’ Festival (Sunday 26 August 2:15-2:45pm in Kings’ Hall at Old Parliament House) and available in time for Canberra’s speculative fiction conference, Conflux, which this year has the theme “The Unconventional Hero”. It’s a perfect theme for 2018 since my Emmeline is short, bisexual, female, and sometimes a bit thick.

The Iron Lights of the title refer to two famous historical lighthouses which play a vital role in the tale. There will be new and dangerous magic, another evolution of the flying machine, a clockwork army, and [redacted].

Here, to taunt you, are the first two sentences (which may also change utterly):

CHAPTER ONE

Being called a madwoman is, on the whole, preferable to being burned as a witch.

I looked forward to those occasions when male and female convicts were permitted to exercise at the same time, and I could converse with the man who shot me.


If you’re worried that you won’t have any more of my books to impatiently wait for. . . don’t. I have another full trilogy already written and edited and waiting in the wings.

When I was eighteen years old and living in Indonesia, I invented a fantasy world called Rahana. It is a place with thousands of islands and millions of potential stories, where magic is considered to be just another trade. It’s best described as being a lot like Narnia, but with pirates.

The HEEST trilogy is written for children (but is, as always, just the kind of thing I love to read).

The first book is THE MONSTER APPRENTICE.

My 2017: No wonder I need a lie down

What an epic year. I spent over 15 years of my life writing novels that nobody would touch, and now that it’s started to rain it’s pouring (which is a wonderful thing).

I spent vast amounts of time on the Tin Man Games “Choices That Matter” app (Google Play and iOS). It’s a story hub for serial interactive tales and it has over a million downloads of the free sample sections. The three stories so far are:

“And The Sun Went Out”

A near-future scifi which I co-wrote with KG Tan and Alyce Potter. It had 60 updates over 15 months, and clocked in at just over 600,000 words (longer than “War and Peace”). Each read-through is about 150,000 words.

“And Their Souls Were Eaten”

I wrote all of this one (edited by Phill Berrie and KG Tan), set in the same steampunk universe as my Antipodean Queen novels, but with a completely distinct magical problem (and taking place in Europe). The finished tale is 400,000 words long, and after that I had a nice lie down.

“And Their Heroes Were Lost”

Phill Berrie is writing, and KG and I are editing (oh how the tables are turned, hey Phill?) This is also sci-fi, but I don’t want to give away any more than that! Phill is still working on this story, and his fans are clamouring for each new update.

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I also wrote, edited, and published the novel “Antipodean Queen 2: Silver and Stone“, and will be finishing that trilogy in 2018 with “Antipodean Queen 3: Iron Lights” (that’s right: the title has changed since Book 2 was published).

AND my actually-rather-good pirate fantasy trilogy for kids (like Narnia, but with pirates) that I wrote many years ago has been accepted for publication and shall begin release with a free pirate mini-ball (live music, prizes, costumes, and everything!!) on Saturday February 17th.

“The Monster Apprentice” is the first book. And it’ll be illustrated, too! Plus (shh don’t tell) one of my very very very favourite Aussie authors is going to read it and give me a cover quote!

And I have three other very exciting projects coming out in 2018! One I can’t talk about yet, one will be published on the premium label at Choice of Games (they pay VERY well for books that make the premium grade), and one is called “Murder in the Mail: A Bloody Birthday” and is a murder mystery told entirely through postcards, letters, objects, and art. That link is to the shiny new forum where readers will be able to talk to one another about who they think is the killer, and how much they love all the art I chose!

2017 was a great year for my writing, and 2018 is going to be even better.

I is happy.

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Things are looking up.

List of all my Interactive Fiction

I make most of my writing income from interactive fiction. (As soon as I say “writing income” out loud, my fellow authors want to know more.)

Most people who find me via my blog know me as a novelist, so I’ll pitch this entry as if you’re hearing about modern IF (interactive fiction) for the first time.

[If you’re looking for Murder in the Mail or Magic in the Mail, click here or scroll down the the end of this entry for info. Or just buy them from my store.]

I’m collecting fan art here.

It’s a lot like those ‘Choose Your Own Adventure’ books from the 80s, which would give readers a choice every few pages. Some ‘Goosebumps’ stories also let readers steer the story. The main difference is that almost all modern IF is released as a digital app. Not only is it outrageously popular (everyone loves an app), but the digital format gives it an amazing potential for more subtle, personal choices such as gender, sexuality, and even the main character’s name.

Almost all of my interactive fiction is listed under my name on the Interactive Fiction Database. That’s a great place to find reviews and ratings.

If you’re attempting to read every steampunk tale I’ve written (aka “Steam & Sorcery”, which includes the “Antipodean Queen” novel trilogy) in a logical order, there’s a reading guide here. Everything steampunk in this list is underlined.

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Cover image provided by Michael Estrada, with permission.

After the Flag Fell is a nice gentle way to get into modern IF, mostly because it’s so old-school that you can literally print it out. It’s also short, and free. (I edited it a little after it won the Windhammer Contest, and tacked it onto the HEART OF BRASS novel.) You can read it online here. Be warned, though, that there are spoilers if you haven’t read the novel. It’s a fascinating tale based on the true history of the real-life Peter Lalor.

Escape From the Female Factory is even more user-friendly than “After the Flag Fell”, since it has no statistics or inventory at all. It is also a printable short story, since I wrote it especially to go with the SILVER AND STONE novel. I planned to convert it into Twine and enter it in the 2017 IF Comp, but I ran out of time. I may expand and digitalise it some day. There are spoilers if you haven’t read the novel. It’s a story that branches with every choice, and gives you many many many tragic endings—and two good ones. You play a suffragette in a women’s prison trying to stay alive, keep your friends alive, and gain your freedom.

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Scarlet Sails is a Hosted Game (hosted by Choice of Games, but not under their premier label) that can be read on your browser or virtually any device. It placed seventh in the IF Comp 2015, and that version is free to read on your browser here. I wrote a lot more before publishing it here (click through to see all the different formats). It is a pirate game filled with violence, drinking, mutineers, and monsters. You can choose to embrace or defy the pirate lifestyle in a variety of ways.

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Choices That Matter is a serial story app released by Tin Man Games. I came on board as co-writer on Arc 4 of “And The Sun Went Out” (with Alyce Potter and KG Tan; KG is also the project head and final line of editing), wrote “And Their Souls Were Eaten“, and I’m editing “And Their Heroes Were Lost” (written by Phill Berrie, who edited “Souls”), which will be completed in 2018. Google Play and iOS have different payment systems; on Google Play you can earn “choice tickets” by watching ads, and avoid payment altogether. But it takes a long time.

And the Sun Went Out” is a near-future scifi in which the sun vanished for three hours and then reappeared. Scientists around the world are getting murdered, and it’s your job to try and find out whether the sun is back for good… or not so much. You are also educating Moti, an AI character that looks like a smart watch (and if you have an apple watch, you can choose to have Moti ‘speak’ to you through the watch).

“And Their Souls Were Eaten” is my longest and most popular story. It’s steampunk fantasy set in 1837 Europe. You’ve spent years living a solitary life, avoiding both your costly magical destiny and the horrifyingly intelligent albino bear that is stalking your family and has already killed your sister. But your quiet life is over, and it’s up to you what you do next.

And Their Heroes Were Lost” is a scifi tale that I can’t say too much about. You wake up in what people call ‘Camp Amnesia”, unable to remember anything about yourself—even your own name. It soon becomes clear that there’s a reason you and the others are separated from the other prisoners.

Attack of the Clockwork Army is the first ChoiceScript story I ever wrote. I remain proud of the ‘fatal flaw’ innovation, and the epilogue. It’s steampunk fantasy set mainly in Australia. Your long-dead sister is alive and asking you to come to Australia, where tensions are running high between the British and the colonials. It soon becomes clear that you’re about to land right in the middle of the war for a nation… but who will you fight for?

Stuff and Nonsense was originally written as a live-action roleplaying game (similar to those ‘Murder Mystery Dinner’ board games). I converted it to Twine and added a bunch of pictures (and, be warned, some abrupt music at the end). It’s very silly, and is best enjoyed as a side trip away from the other steampunk tales. You’re part of a band of colonial rebels visiting an Australian Grand Exhibition, and Queen Victoria herself is set to visit.

Starship Adventures (here) and Lost in the Pages (here) are both games I wrote with other people. They’re both Hosted Games, so you can click through to read them on your browser or see the wide variety of app stores where they’re available.

“Starship Adventures” is a retro scifi space adventure complete with carnivorous plants, strategically-ripped uniforms, and (if you like) a floral unitard for you to do your heroics in.

“Lost in the Pages” is a book-portal story. You travel through a range of very different stories trying to rescue your eccentric Uncle Irwin from a malevolent force.

Home/Sick was edited and used in the collaborative game Lost in the Pages. I think there’s an early version of it via here, that was written in three hours for a contest.

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Enchanted (here, and free I think) is a story told entirely through SMSes (including a soundtrack I rather like, and many images). Warning: Time delays are part of the story! I’ve lost track of how people are actually able to play it. Kik messenger is best, facebook seemed clumsy to me, and there may be other places. If you figure it out, let me know.

If you play it, you need to pick one romantic interest and stick with it, or the story won’t make sense. You’re a young adult in a small town in which there are vampires, witches, and were-creatures. They all get alone fine… sorta. Along the way you’ll find out what kind of creature you are, who loves you, and some of the many dangers lurking in your peaceful magical backwater.

Counting Spoons (free here) is a game about a day in the life of a mentally & physically ill person. It needs an edit but I’m scared to re-read it because of the topic (thinking about depression makes me depressed, which is why it’s short). It was originally written for the Noted festival 2016.

 

And now for something completely different.

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Murder in the Mail is a murder mystery series told entirely through letters, objects, and art sent through the physical mail over the course of several weeks. The first story is A Bloody Birthday, which will have a Kickstarter Feb 17-end May 2018, and will be officially released on 25 August. The “pure” physical version will end 13 months after release, so get it while you can. The whole story costs just $40 including postage, and there’s more info here and a designated forum here.

Magic in the Mail is similar, but fantasy. There are two stories in development. The mini story “Emmeline’s Empire” will be available by June 2018 (but mail-out times will vary depending on jewellery supplies). “Feuding Fae” will have its first mail-out in June 2019.

More info here, and the magic forum is here.

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Antipodean Queen 2: SILVER AND STONE

SILVER AND STONE is the middle book of my Australian steampunk fantasy trilogy, which began with HEART OF BRASS and will end in 2018 with IRON LIGHTS.

You can buy SILVER AND STONE here (I’ll even sign it for you), or the full STEAM & SORCERY pack here (all three novels plus the full version of Magic in the Mail: Emmeline’s Empire).

If that embedded video doesn’t work, you can also watch the trailer here (it includes a fast-and-dirty explanation of steampunk, and features my daughter).

Silver and Stone cover

Like to read the back cover? Here it is:


Getting into prison is easy.
Getting out is hard.
Getting away is nearly impossible.
Getting the power to control your own destiny might cost everything you have.

Emmeline, Matilda, and Patrick are sworn to rescue Patrick’s mother from the infamous Female Factory prison, but when a vengeful police officer tracks down their hideout, things get worse fast.

Soon they’re framed for a double murder and fighting a magical monster in the eerie and unfamiliar island of Tasmania. Patrick’s mother hides crucial papers in a tin under her prison smock, and her best friend Fei Fei is dying in the overcrowded prison.

More than one woman’s life hangs in the balance.


You can order it via Odyssey Books or Amazon US, or Barnes & Noble, or IndieBound, or Amazon Australia. It’s also for sale through Kobo, Abe Books, and The Book Depository.

As a rule, it’s easier to search for “Felicity Banks” than “Silver and Stone”.

The ISBN is 978-1-925652-20-8 (pbk) | 978-1-925652-2-15 (ebook)

You can use that number to quickly and easily order it into any bookshop you like. Most Australian bookshops and libraries should stock it already. If you’re in Canberra, Harry Hartog’s in Woden does a good job of keeping my books in stock.

SILVER AND STONE can always be bought in physical form directly through the publisher (who will post it to you—Odyssey is linked to printers in Australia, the US, and the UK, so if you’re in one of those nations the postage cost will be domestic).

It is extremely helpful to me for readers to leave reviews at Amazon and/or Goodreads. The more you say why you like/dislike it, the more other readers will know if it suits them or not. I do read reviews but I’m not bothered by negative ones (sometimes I even learn something), so go ahead and be honest!

Like a sample?


CHAPTER ONE

I don’t deliberately make things explode.

Patrick O’Connell stomped on the trap door above my head. Bang, bang, bang.

Three bangs was Patrick’s signal for ‘May I come in?’ He was quite well-mannered for a bushranger―or perhaps by now he’d simply walked in on Matilda and I kissing one too many times. I grabbed my six-foot iron poking stick and tapped the three bangs back to him through the ceiling to indicate he was welcome to enter.

The trap door creaked open and Patrick looked down at me, shaking his head like a disappointed parent. ‘How do you expect me to get the grease out of that dress?’

I looked down and noticed that my apron had, as usual, failed to protect my clothing. There were several spots of oil here and there, as well as dust and soot and tiny burn marks from my magically altered and occasionally self-combusting rats.

‘I don’t expect you to get the grease out,’ I said. ‘We’ll buy a new one next time we go to town.’

He grunted in reply and descended the ladder to pass me a tin mug of black tea. I tasted it, noting there was plenty of honey, just the way I liked it. So he wasn’t truly cross after all, just anxious. Patrick had good reason to be tense, given his mother’s location. He cast a glance over my desk, which lined the entire underground room on four sides. I resisted the urge to hide certain diagrams. It wouldn’t have done any good, since I’d already made several models and was experimenting to see whether the effects of magical metal scaled consistently between miniature and life-size machines.

I had to get it right―for Patrick more than anyone. His mother was a suffragette trapped in Tasmania’s ‘Female Factory’ prison, and we were going to get her out. All I had to do was figure out how to extract Mrs O’Connell without getting us all killed.

Patrick moved closer to the largest of my models: a steel train engine featuring twenty segmented metal legs designed to compensate for difficult terrain and/or a lack of railway tracks. The black silk balloon linked to the train’s roof was potentially useful to reduce the train’s weight and perhaps even harvest the heated air from the engine―but that was assuming Patrick let me cannibalise his precious hot air balloon for a radical new method of travel. From what I’d heard, Tasmania was much more inclined to dramatic vistas than was entirely convenient.

‘Are you sure it’s safe?’ he asked, rubbing his hands through his hair and making it stick up like straw. He chose not to say aloud what we were both thinking: There was little point in rescuing Shauna O’Connell only to burst into flames immediately afterward.

‘Not yet,’ I said stiffly. ‘I’m pushing the boundaries of what is possible.’

‘Hmm.’ He eyed the largest of the craters in the wall and rubbed the gunpowder burn on his cheek.

‘Would you like to see the train working?’ I asked, popping my goggles over my eyes in preparation.

‘Err. . . maybe when it’s ready for an open-air display,’ he said, and went back toward the trap door just as someone else stomped on it three times. Bang, bang, bang.

Patrick waited as Matilda descended, then he went back up the ladder into his father’s house.

Matilda examined me with a proprietary air. ‘You look unusually tidy today, but never fear―that’s easily fixed.’

She removed the pins from my hair one by one, and my red curls tumbled over my shoulders and just touched the top of my brass corset. I wore magical brass when I wanted its help to notice the most elusive details of my experiments, but sometimes it just made me notice Matilda more forcefully than ever. Matilda and I had both been working hard, knowing all the while that every delay meant another day of misery for Mrs O’Connell. Now that she was close my corset heated up, making me flush, and then deliberately opened all my senses to the woman I loved. Brass can be impertinent, and I wasn’t strong enough to resist the temptation to be distracted.

Matilda smelled of smoke and eucalyptus from her time spent burning off the nearby forest: a delicious mixture of our temporary outback home all tangled up with elemental fire. And she smelled of her own unique spice, making me want to lean forward and inhale until I swooned. Her coppery-brown eyes shone in the lantern-light, ready to laugh. Her lips parted. Her breath quickened. . .

I kissed her, and forgot I was holding a square of tin. It binged in emphatic delight, and I dropped it, hoping to defuse its magical enthusiasm. That wouldn’t have been a problem, except it landed on one of my rats, who immediately combusted in surprise, burning yet another large hole in the wooden floor. The tin parped in distress and Matilda stepped back. Her heel caught in the new crater.

She fell backward with a shriek, and I instinctively dived forward to catch her. As we both tumbled to the ground, I grabbed for something to hold on to. My hand hit the wooden strut holding up the opposite side of my workbench. The strut snapped in two, and the back half of the bench creaked alarmingly. I rolled off Matilda and crouched under the desk, bracing it with my hands and shoulders.

Matilda sat up, twisting around to face me. ‘Emmeline! Are you all right?’

‘Are you?’

‘Why are you holding up the table?’

‘So it doesn’t fall down.’

‘Ah.’ She stood and hastily moved objects from the collapsing bench onto the sections of the work table that were still secure.

‘It really is quite heavy,’ I said through gritted teeth.

Matilda moved faster, grabbing models and papers and cogs and jars and pliers at top speed. It wasn’t fast enough.

‘Poking stick,’ I said.

‘Now is hardly the time.’

‘Use the big iron stick to hold up the table. It’s strong, but it needs to be cut down to size.’

She grabbed the length of iron and laid it across two of the solid workbenches, making a triangle shape. There was an axe hanging on the wall so she grabbed it and hit the poking stick hard. It was no use. She cast the useless axe aside. Her frantic gaze landed on my rats.

‘Matilda, no!’ Just because the rats recovered quickly from deaths in the family didn’t mean they should be exploded willy-nilly.

She didn’t listen. She grabbed a rat and some string, and tied the innocent creature to the midpoint of the iron rod before grabbing the axe once more and crouching to meet the rat eye to eye. ‘Burn through that metal, or I’ll cut off your tail.’

The rat squeaked in terror and exploded outright, snapping the iron bar and casting a fine spray of blood, fur, and mechanical parts onto the nearby walls and floor. Matilda grabbed the remains of the poking stick and jammed both halves under my bench.

I slid out gratefully and rubbed my aching shoulders. ‘You killed my rat, but you did it in such a timely manner I can’t complain. Are you sure you don’t want to officially become my lovely assistant?’

‘Absolutely not,’ she said. ‘Although I confess I understand your penchant for explosions a little better now. That was fun.’

‘I don’t deliberately make things explode!’

‘What a shame,’ she said. ‘It’s a very attractive quality.’

‘Oh really?’ So this was flirting. I hadn’t had much practice at such things before I was transported to Australia. The other convicts had all known just what to do―I remembered my friend Lizzie with a sigh―but I hadn’t practised when I had the chance. It was a tragic oversight, but Matilda appeared to like me anyway. I leant casually on the workbench and tried to raise an eyebrow.

Crash!

The shored-up workbench collapsed, throwing papers, cogs, inkwells, and screwdrivers every which way. One lens of my goggles blackened with ink, and several small cogs landed and then stuck in the brass frame. Through the other lens I saw my match-tin spring open and several phosphorus matches spill out onto the rough floor, igniting at once.

Unfortunately, I had spilled enough grease over the course of several weeks to thoroughly soak the wooden floor, which promptly caught fire. My skirts were well within range of the flames, and I leapt up onto the more solid part of my workbench at once, laying more or less flat so I didn’t collapse another section. I was all too familiar with the flammability of my crinolines.

Matilda was wearing rational dress―a rather distracting set of trousers―by way of a compromise between dressing like her father’s British notions or her mother’s native ones. She kicked off her heels and used her bare feet to stomp out the fire while I lay helplessly on top of several homemade models designed to combine magic, steam, and silk in order to design a better airship. One of them slipped and drifted to the ground. It didn’t smash onto the floor, but floated gracefully. How marvellous. It worked. I resisted the urge to distract Matilda by pointing out my latest success.

The fire was almost out, and I carefully lowered myself to the ground, trying not to damage any more of my laboratory. Matilda stomped out the last of the fire and I just watched her, guiltily delighted at the sight of her black and blond tresses falling loose around her face.

At last we were safe.

She looked at me and laughed. ‘You were saying?’

‘Something about not exploding things,’ I admitted. ‘To be fair, you did specifically say that you enjoy the occasional fireball.’

‘So I do.’

She slipped her shoes back on, apparently unhurt.

‘Did Patrick ask you when we’ll be ready to rescue Shauna?’ she asked, casting a guilty glance upward, where Patrick and his father were stoking the kitchen engine ready to bake bread for lunch.

‘He’s focusing on safety today,’ I said. ‘He seems so calm, but he’s fetched me seven cups of tea already―and not mentioned Mrs O’Connell once.’

She nodded. We both knew how much Patrick wanted to rescue his mother; a passion matched only by his desire to keep Matilda and I safe from similar harm. Too bad he hadn’t made friends with a pair of girls who would gladly wait at home while he faced all the danger.

I picked up the model that had drifted to the ground. It was little more than a hot air balloon with a propeller and a rubber band to represent a steam engine. With enough magical aluminium, we could neutralise the considerable weight of a steam engine and thus solve one of the greatest problems of airship construction.

The issue of how to fill the varnished silk with air had stymied me until now. ‘What if we hurled ourselves off a cliff?’ I said thoughtfully.

‘Sounds good,’ Matilda said with just the tiniest hint of sarcasm. ‘Can I tell Patrick? His face will make quite the picture.’

Bang.

‘Sounds like you’ll get a chance right now,’ I said.

Bang.

Matilda and I waited in silence for the third stomp on the trapdoor. It never came.

‘Uh-oh,’ said Matilda, dropping her frivolity like an old coat. ‘Two bangs. Isn’t that code for―’

I pressed my fingers to her lips and nodded, mouthing, ‘Our time just ran out.’

She took both my hands in hers and squeezed my fingers until I thought they might snap in two.


The third and final book in the Antipodean Queen Trilogy will be released in 2018 (probably August).

Antipodean Queen 1: HEART OF BRASS

HEART OF BRASS is my first published novel; the beginning of all my (mostly Australian) steampunk fantasy stories.

You can buy it here, and in all the usual book places (online and offline).

You can also buy the full Steam & Sorcery pack here (all three novels plus Magic in the Mail: Emmeline’s Empire).

Book 2 is SILVER AND STONE.

Book 3 is IRON LIGHTS.

The book trailer is here.

 

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Like to read the back cover? Here it is:


Emmeline Muchamore is a well-bred young lady hiding explosive family secrets. She needs to marry well, and quickly, in order to keep her family respectable. But when her brass heart malfunctions, she makes a desperate choice to steal the parts she needs to repair it and survive.

She is unable to explain her actions without revealing she has a steam-powered heart, so she is arrested for theft and transported to Victoria, Australia – right in the midst of the Gold Rush.

Now that she’s escaped the bounds of high society, iron manacles cannot hold her for long.

The only metal that really matters is gold.


 

The ISBN is 978-1-922200-58-7 (pbk) | 978-1-922200-59-4 (ebook)

You can use that number to quickly and easily order it into any bookshop you like. Most Australian bookshops and libraries should stock it already. If you’re in Canberra, Harry Hartog’s in Woden does a good job of keeping it in stock.

HEART OF BRASS can be bought in physical form directly through the publisher (who will post it to you—Odyssey is linked to printers in Australia, the US, and the UK, so if you’re in one of those nations the postage cost will be domestic).

You can also buy either print or digital copies from Amazon US, Amazon Australia (kindle only at the time of writing), Barnes & Noble, Kobo, Abe Books, The Book Depository, etc.

It is extremely helpful to me for readers to leave reviews at Amazon and/or Goodreads. The more you say why you like/dislike it, the more other readers will know if it suits them or not. I do read reviews but I’m not bothered by negative ones (sometimes I even learn something), so go ahead and be honest!

Like a sample?

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Full disclosure: I screenshotted the beginning of my book from Amazon (where there’s a longer sample) because I don’t know how to take the final editing marks out of the copy I have. Sad but true.

Antipodean Queen 2: SILVER AND STONE will be released on October 10 2017 (you can pre-order through OdysseyBooks.com.au) and the third book in the trilogy will be released in 2018 (probably August).

Steampunk Stories

I have amused myself for some years by writing a number of stories and novels in a wide range of utterly different formats. Presumably this is due to an unconscious desire to confuse and frustrate the largest possible number of my own readers.

Now that the book trilogy is finished (launch day is 26 August 2018 for Iron Lights) I have put together a full STEAM & SORCERY pack that gives you all the physical stories together—the three books and the full version of Magic in the Mail: Emmeline’s Empire (which includes jewellery, art, and a song). You can buy the full STEAM & SORCERY pack here for just $80.

ALL my steampunk takes place in the “Steampunk & Sorcery” universe, including the “Antipodean Queen” novel trilogy.

In an effort to give completionists a fair go, this blog entry will always display the full list of all my steampunk tales, where to get them, and whatever else you may need.

Each story is designed to stand on its own without spoilers, but the first Antipodean Queen novel, HEART OF BRASS, was written first.

In reading order:

  1. Choices That Matter: And Their Souls Were Eaten. An interactive story set in 1837 Europe, originally released as a serial story through the Tin Man Games company’s Choices That Matter app. It is now complete, and will be released on Steam at some point (probably 2019). I like to pretend the player character is Emmeline’s relative, even though the story has a completely unique premise and plot. It is available as an app for iOs or Google Play. The beginning is free.
  2. Antipodean Queen 1: Heart of Brass. A young adult steampunk novel set mainly in 1854 Australia. Emmeline Muchamore’s origin story. You can buy physical copies through Odyssey Books, who will post it anywhere in the world. You can also order it through any bookshop (the ISBN will help you; it’s 978-1-922200-58-7). You can also buy either print or digital copies from Amazon US, Amazon Australia, Barnes & Noble, Kobo, Abe Books, The Book Depository, etc. You can read the blurb and beginning here.
  3. After the Flag Fell. A printable interactive story that won the 2015 Windhammer Prize. That version is free here, and an updated version is included with all editions of Heart of Brass. It is set immediately after the events of Heart of Brass.
  4. Antipodean Queen 2: Silver and Stone. The second book of the novel trilogy. Like the first book, it’s available on Amazon US, Kobo, Odyssey. The paperback ISBN is 978-1-925652-20-8. The blurb and beginning are here.
  5. Escape From the Female Factory is a printable short story that happens at the same time as events in Silver and Stone. It should be read after the novel, and is only available as a special feature with the novel.
  6. Antipodean Queen 3: Iron Lights. The third novel of the trilogy will be released in 2018. It takes place at the same time as “Stuff and Nonsense”, “Attack of the Clockwork Army”, and “Magic in the Mail: Emmeline’s Empire”. I recommend reading the novel first.
  7. Stuff and Nonsense is a live-action role-playing game designed for beginners (possibly children). It’s a little like those ‘Murder Mystery’ board games, but with actual (silly) games thrown in. The printable version is available by emailing me at fellissimo@hotmail.com with the subject line STUFF AND NONSENSE. I converted it into a Twine game (with images), which is quite different to the original story, and which you can play for free here. It has some very minor spoilers if you read it before the books. Big spoilers if you read it before the role-playing version. THIS STORY TAKES PLACE AT THE SAME TIME AS ANTIPODEAN QUEEN 3: IRON LIGHTS. Hopefully that’s fun for people who want to explore the world of the novels a bit more. You won’t know the “canon” version of the story without reading the novel, so you can feel free to decide which ending you like the best. Also, a particular character is definitely not there in the novel. The novel is canon, but the game is just not as fun without [redacted].
  8. Attack of the Clockwork Army. An interactive story that takes place in the 1860s, mainly in Australia. It allows you to play as one of Emmeline’s siblings if you wish (which will cause spoilers if you haven’t read the novels) or as an original character in a slightly different and spoiler-free reality. Available here as an app for any device, or it can be read on your browser. It uses the ChoiceScript tool. THIS STORY TAKES PLACE AT THE SAME TIME AS ANTIPODEAN QUEEN 3: IRON LIGHTS. Hopefully that’s fun for people who want to explore the world of the novels a bit more. You won’t know the “canon” version of the story without reading the novel, so you can feel free to decide which ending you like the best.
  9. Magic in the Mail: Emmeline’s EmpireThis is a short story told DURING THE EVENTS OF ANTIPODEAN QUEEN 3: IRON LIGHTS, in which a side character is the main character. Hopefully that’s fun for people who want to explore the world of the novels a bit more. It also stands alone as a steampunk story. “Magic in the Mail” (and “Murder in the Mail”) are two storytelling formats invented by yours truly. The “classic” version is physically posted to the reader. The parcel contains letters, objects, and artworks that together tell an immersive story that asks the reader to participate (in this case, by building a convertible flying device). This one is special because it’s cheaper ($25 for Australian residents instead of $40; probably $40 for everyone else, including postage of the story). It also includes a song by the Littmus Steampunk Band and a piece of handmade steampunk jewellery made by Liesel Turnbull.  A stripped-down version will be included as a bonus with the Iron Lights novel. It will include a limited number of 2D black-and-white artworks only. You can buy the full version for $30 here.

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The simplest way to know when a new story is coming out is to join my mailing list by writing an email to fellissimo@hotmail.com with MAILING LIST in the subject line. I don’t share emails, and I won’t spam you. Usually the mailing list gets about one update a month with major news only (new releases, conference appearances).

PS Here‘s a great article on the whole field of steampunk novels (those not written by yours truly), including links to many many reviews. It’s highly out of date, but the books are still good!

PPS The full STEAM & SORCERY pack is here. There’s a special limited edition pack here for Google Play devices that includes all the physical books PLUS codes for the digital tales.

Conflux 2016

Conflux is Canberra’s speculative fiction conference. It happens every year on the October long weekend (even when that means starting in September, like in 2016 and 2017).

Each year features guests of honour from around Australia and the world; panels on a variety of topics (including deliciously blatant fanfests); workshops; book launches; pitching sessions; a dealer room; and opportunities to hang out with like-minded people (some of whom happen to be authors with varying degrees of fame). A few people do cosplay, which is always fun.

The reason I’m able to handle conferences when I can barely handle dropping my kids at school is simple: adrenaline. I’m generally moderately with it as long as I feel like I’m performing.

In 2014 TJ was a teensy baby and I had a sudden thought: I hadn’t finished a full original novel since Louisette was born in 2012. Had I lost the knack?

At around the same time I noticed there were five possible pitching sessions at Conflux: A large publisher, three smaller publishers, and an agent. I decided to pitch to every single one with a different book. That meant writing a brand new book in a couple of months (which I pitched to the agent, so I had time to edit it before any publishers saw it). That book is “Flight of Fancy.”

Satalyte accepted my pirate young adult fantasy novel “Stormhunter”. For various reasons it hasn’t been published yet, but it’s going to be published eventually. I love doing pitching sessions with publishers, because they’re always nice people and they like meeting authors.

In 2015 I pitched “Flight of Fancy” and “Heart of Brass”. Odyssey Books ultimately accepted “Heart of Brass”, which meant that this year I FINALLY had a book to actually sell to people!

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This year at Conflux I ran an interactive fiction workshop (lots of writers attend the conference every year), assisted with several panels (especially the steampunk ones), actually attended one session (very rare for me, since I get sore sitting in chairs without masses of adrenaline helping me out), and spent hours hanging out in the dealer room (mostly on the Canberra Speculative Fiction Guild (CSFG) table rather than the Odyssey table, because there were four other Odyssey people there and it was crowded). The familiar tension of, “Why am I talking on a panel when I don’t even have a novel published?” was gone (it’s worth pointing out that I haven’t gotten any smarter or more interesting than last year – panellists should be readers, but their writing life is almost always irrelevant), and I enjoyed the new tension of, “I’m absolutely trying to sell my book here”.

Our family car died suddenly the day before Conflux, so travel was complicated (especially with the uncharacteristically vicious weather), which complicated matters. My interview on interactive fiction at the local ABC 666 radio station was an unexpected bonus.

It was definitely fun chilling out with friends (Odyssey, Satalyte, CSFG, and others) and I think I recognised about 60% of the people. Conflux is my “home” conference, and the CSFG (which runs it) is a truly excellent group of people.

I enjoyed taking stupid pictures of my book, too.

 

This year people walked past the bar/restaurant on the way to the conference, so there was plenty of hanging out over food/drinks which was really excellent too.

This Saturday I’ll be at the Book Expo in Parramatta (Sydney), which I’ve never been to before. It’ll be interesting to see what it’s like!

“Stuff and Nonsense” cover

 

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I’m learning Twine while writing a game for the IF Comp. If I want to put an image into the game, the simplest way is to link to a url. Specifically, this one. Probably. If I’m doing this right.

Photographer: Jody Cherry (Exposure Studios)
Hair & Make-up: Jody Cherry (Cherrish Hair & Make-up Artistry)
Model: Amelia Brown

Cropped to fit and text added (with permission) by Felicity Banks

 

And from The British Museum’s AMAZING collection of historical images:

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And some pictures of a pocket watch that I just took:

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Dancing, Duelling, Delicious: The official book launch for HEART OF BRASS

You know what’s cool? Nurofen tablets are sugar coated.

*

HEART OF BRASS had her official Book Launch yesterday as part of the inaugural Canberra Writers Festival, an absolutely huge event. I was written about (with a cover image) in Canberra Weekly magazine (96,000 readers!) and in the Canberra Times, as well as various other places.

The launch took place in the National Library of Australia (pictured behind the kids and I), in the Ferguson Room. The Ferguson Room overlooks the foyer of the National Library, which gives it a grand air and means one can watch guests coming in. That was particularly fun for me, since I’d encouraged steampunk/historical garb and was well rewarded for my efforts. My kids loved it too. Louisette got to talk into the microphone before anyone else showed up, and she imitated my own test speech by saying, “I wrote a book”—which in her case is quite true (if you haven’t read “The Adventures of Pirate Captain Louisette”, just scroll down a couple of entries).

 

I’m usually a very confident public speaker, but I was intensely nervous (enough to have patches of time when I was breathing funny) before this event, even though I was rationally confident it would go well.

The best and most important thing is people.

I was very lucky in that regard. The Ferguson Room is meant to seat forty people, which is rather a lot for a debut author—but within a day of setting up the facebook page (and SMSing and emailing various people to invite them personally), I knew I had at least twenty people. The phrase “book launch” is haunted by the horrifying spectre of a desperately awkward room of four people sitting in a sea of chairs and wishing fervently that they were elsewhere (none more miserably than the author). By the time the big day rolled around I was slightly nervous that the room would be unpleasantly crowded or that we’d run out of books for people to buy (what wonderful issues to have!) I estimated 50-60 guests beforehand, and I was exactly on the money. Someone had added a few more chairs to the room, which was useful. We sold a very healthy number of books without selling out altogether (my publisher and I both had extra stashes of books just in case). I would have liked to sell more, but this means that the National Library bookshop still has copies on the shelf (excellent promotion in itself).

50-60 people is a lot. That’s a larger number than any event I’ve hosted before (with the exception of my wedding), and it was in a location I didn’t know well.

I get panicky in new places. The National Library as a whole is somewhere I’ve been to many times, and I visited the room before the launch to get a sense of the space, but the technical equipment was new on the day. It all worked well (strange but true), including the book trailer and the dancing music. I really enjoyed the location and I wish I could start over so I could have that confidence from the beginning. Bring on Book 2!

Robbie Matthews is a friend, a writer, and a generally charming and funny person who’s well known to the Canberra writing community. He was MC at my wedding, and I was very pleased with myself for thinking of him again for the launch (especially as it prevented me from haranguing other authors who I don’t know as well).

At my wedding reception one of the tables was “the minion table”—full of people who’d helped decorate, give lifts, take photos, etc. As MC Robbie was on that table and he made friends. Then he made a highly memorable speech about the wide range of colourful threats I’d made to all my sweet innocent minions in order to let them know what would happen if they didn’t do their assigned jobs. I vividly recollect how impressed I was at the time that I’d subconsciously tailored original threats to each person.

As the book launch drew closer I wondered what Robbie would say about me, since I hadn’t threatened anybody this time. He got up and explained how we’d met: We did Live Action Role Playing (LARPing is like a play where all the players have a general character and plot outline and then improvise to amuse one another), and I was his fictional daughter. “By the end,” Robbie explained, “she was wearing my spine as a necklace.”

Oh yeah… I’d forgotten about that. (To be fair, my character was under a lot of stress at the time.) One may draw one’s own conclusions about my general mental health…

A lot of book launches are introduced by the writer’s publisher. It’s a very neat way to do things, but I always felt it was a bit sad since the author and publisher are the people who are the most desperate to sell the book. Having Robbie meant that we had a disinterested party recommending the book (which he read before the launch). That made me feel much less like a grasping novice.

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I realised belatedly that the reason I was so nervous was that I was, in the most literal sense of the phrase, “selling something” (and to an audience that was trapped for the duration, too). It’s impossible for a writer to truly know if a book is good or not (although being published certainly helps) and that’s why I always find book launch speeches so horrifying. I acquitted myself well enough, I think.

I’d described the launch to Louisette in advance, and she said she wanted to help with my speech, so when I got up I summoned her as well. She is an adorable child and was adorably serious about the entire process—but she stood bravely (by herself, because I needed to stay near the podium microphone). She was very pleased afterwards with her own courage. Hopefully this will lead her to be a confident public speaker, rather than turn her into a full-time writer (creative jobs have a high personal cost that I wouldn’t wish on anyone).

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Clothing is tricky while I’m still waiting for my stomach muscles to be put back together (not helped by weird sensory overstimulation stuff that tends to give me panic attacks if I wear new clothes), but I’d had an idea (on Friday) to adjust a favourite skirt, and that very much improved things for me.

My other main panic was that I’d simply forget to bring something essential. I started putting things in the car last Thursday, and although there were certain things I meant to do and didn’t, all the important pieces (such as a copy of the book to give away to the best costume, and having my kindle prepped on the podium for my reading) were in place.

This was all very much complicated by the fact that I’d gotten overenthusiastic and decided to write and run a Live Action Role Play game inside Questacon after the launch. But that’ll need its own entry 🙂

The tea duelling and catering was complicated by the fact that no outside food was allowed, and no food was allowed in the room. That meant paying a huge sum to the cafe (which reserved tables for us and did a great job from beginning to end) and having biscuits that were fresh and delicious but not the right kind for duelling. Although the cafe staff were excellent and the location classy, the lack of ability to bring in a pack of plain dry biscuits was annoying. Still, it was entertaining and it looks great in pictures (useful for media coverage, which is useful for selling books, which is the point). And even though we under-catered, most people were so distracted by the duelling that they didn’t eat or drink at all.

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The waltzing was a huge highlight. I had one couple primed to lead the way, and Louisette is an enthusiastic amateur. I figured I’d waltz with Louisette while my dancers hopefully lured a couple or two to join them over the course of the piece.

Actually, I danced with Chris the second the music started, and several other couples willingly took to the floor in an instant. The space was perfect (everyone moved the chairs back); roomy enough to dance without feeling either crowded or lonely.

It’s been a long time since Chris and I waltzed, and it was a lovely moment for both of us. I found out later that one of the other people dancing was stepping out (invited by a nearby acquaintance because Canberra is like that) for the first time since major surgery, and it made her realise she might be healthy enough to dance regularly again soon.

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Adrenalin does wonders in carrying my wreck of a body through things (in fact that’s probably part of why I do things like this—for a while, I feel normal). My muscles were freaking out last night as the adrenalin wore off, and today I’m weirdly sore in a dozen places (hence the nurofen). Luckily I’m not involved in the rest of the Canberra Writers Festival so I don’t need to do anything more strenuous than writing and napping for the rest of the day.

I still can’t quite believe how many people came.

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The launch was as close to perfect as it could be. The festival, venue, and volunteers were all top notch. Ultimately I wouldn’t change a thing.

Tick, Tick

I’m counting the hours until the launch, and desperately hoping I sleep through most of them.

It’s been a crazy few weeks (not even a month!) since HEART OF BRASS was released.

There are hundreds of moving parts to the launch, each with their own unique quirks, and my publisher and I and the Canberra Writers Festival organisers have been sorting out an array of minor complications (no food allowed in the room; multimedia backup systems; dancers and duellers and minions galore) and right now I’m walking through the day mentally, checking everything’s in order (it is).

The average number of people at a book signing is 4. Fortunately I’ve been connecting with readers and writers and generally cool people for many many years, and I also have great support both personally and professionally. This has led to an enviable problem: My room isn’t big enough.

The launch begins in the Ferguson Room at the National Library of Australia, which seats 40 people. I have significantly more RSVPs than that, and that doesn’t account for the people that don’t know me well enough to RSVP but are still coming. Then there’s the swirling maelstrom of Canberra Writers Festival advertising that’ll bring in even more people.

Speaking of publicity, Canberra Weekly is the biggest magazine in Canberra, and they featured my book cover in an article (including quotes from me!) on page 60 of the August 25 issue. That was yesterday.

Today two different friends took pictures of my book “in the wild” – that is, in a bookshop. Specifically, the National Library Bookshop, which is stocking books for the launch. Dymocks Belconnen also has copies.

So this is what it’s like to be a debut author. Between panic attacks, it feels pretty good.

Happy Birthday, Heart of Brass

You may have heard a rumour that books take a while to get published.

This is what I looked like around the time I finished the first draft of HEART OF BRASS:

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This is what I looked like when the finished book was shortlisted in the Text Publishing Prize (editing takes a while too):

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And this is what I looked like when the book was accepted for publication, after quite a bit more editing:

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Yep, the book is slightly older than my four-year old.

On the other hand, the period between meeting my publisher and being in print was lightning fast, taking less than a year.

As of today, the book is fully released in both print and digital formats. You can buy a digital copy from Amazon or Kobo, or buy a physical copy from Odyssey Books, who will post it anywhere in the world.

If you’re confused about the order of all my steampunk stories, here’s the lowdown:

Each one is designed to stand on its own without spoilers, but HEART OF BRASS was written first.

In-story chronological order:

  1. Choices: And Their Souls Were Eaten. An interactive story set in 1837 Europe, to begin release as a subscription story (with new sections each week until it’s finished in 2017) by Australian gaming company Tin Man Games in August 2016 (at the time of writing it hasn’t started yet). I like to pretend the player character is Emmeline’s relative. It will be available as an app for itunes or Android.
  2.  Heart of Brass. A young adult steampunk novel set mainly in 1854 Australia. Emmeline Muchamore’s origin story. Available digitally on Amazon, Kobo, etc, and you can buy physical copies through Odyssey Books, who will post it anywhere in the world. There will definitely be a second and third book in the trilogy, most likely published in October-ish 2017 and 2018.
  3. After the Flag Fell. A printable interactive story that won the 2015 Windhammer Prize. That version is free here, and an updated version is included with all editions of Heart of Brass. It is set immediately after the events of Heart of Brass.
  4. Attack of the Clockwork Army. An interactive story that takes place in the 1860s, mainly in Australia. It allows you to play as one of Emmeline’s siblings if you wish (which will cause spoilers if you haven’t read Heart of Brass) or as an original character in a slightly different and spoiler-free reality. Available here as an app for any device, or it can be read on your browser.

5? Stuff and Nonsense. It’s likely I’ll write a silly interactive short story to go along with the official book launch on 27 August (it’ll be specifically designed to be played by two or more people/groups, ideally on foot in Canberra’s awesome Questacon science centre). It’ll cost $25 (or $5 if you’re a Questacon member), and RSVPing is strongly recommended!

Details to come…

So four (and a half) different stories, four different main characters, four different formats.

Strange but true!

Edited to add: I converted “Stuff and Nonsense” into a Twine game. You can read it for free here. Chronologically, it comes in between 3 and 4 above.

The second novel, SILVER AND STONE, will be released on 1 October 2017. It’ll be available via the publisher, stores, Amazon, kobo, B&N, etc etc.

HEART OF BRASS cover reveal

Here it is…

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On the publisher’s website it has an official release date less than a week away!

If you’re in Canberra and you want your copy signed, email me at fellissimo@hotmail.com and I’ll see what I can do.

I’ll also be at certain conferences this year, including:

Brimbank Writers and Readers Festival

1-11 September (I’ll be there on Saturday 10th only), Melbourne

Including a 2-hour panel on Interactive Fiction, and a get-together for IF lovers at the cafe around the corner (at 11am). Plus a possible spontaneous game.

 

Conflux 12

September 30-October 3, Canberra

Including a workshop on how to write profitable IF, plus a panel or two.

Conflux always includes one-on-one pitching opportunities, which happens to be how “Heart of Brass” found its home at Odyssey Books Australia.

 

Book Expo

8-9 October, Sydney

Including a panel or two, probably (to be advised).

 

Goulburn Waterworks Steampunk and Victoriana Fair

Saturday 15 October, Goulburn

Including hanging out with several other authors (including Tara Moss), free horse and carriage rides, dancing, makers, and other marvels of the steampunk world!

 

Draft Book Trailer

Well, we’re 20 minutes into June here and the novel HEART OF BRASS isn’t out yet. TRY NOT TO PANIC.

I’ve known for a little while that it was unlikely to be finished in May (as previously announced). Stuff happened. Non-fatal stuff, which is my favourite kind of stuff (especially when it comes to getting my books published).

It’s still on track to be printed in the next couple of months. There’s a tiny chance it’ll be out in time for Supanova Sydney (mid-June), in which case I’ll be there, at the Odyssey Books stall.

In the meantime, here’s the not-quite-finished-but-mostly-done (including permissions) book trailer:

 

Also, for those in the Southern Hemisphere, this day is a day for celebration: Just three months until Spring!

Steampunk Interactive Fiction

My steampunk universe is wandering free in several forms (with at least one more time, place and engine still to come) so I need to clean house and make things clearer.

I’m adjusting the category tag I use to coordinate things to “All Steampunk Fiction” and having two facebook pages – one for interactive fiction, and one for physical books.

Hope this helps…..

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HEART OF BRASS novel to be published May 2016

Today I finally signed the contract for HEART OF BRASS with Odyssey Books.
This is the first of allll my steampunk Australia books (I wrote it before Louisette was born). It’s a (non-interactive) novel that has a tentative release date of MAY 2016!!! It will be released in both print and digital formats, and is likely to include an edited “After the Flag Fell” sequel story just for fun!
If you’d like to read the series (so far) in the most chronological order (they all overlap slightly), this is how:
1. HEART OF BRASS novel.
2. AFTER THE FLAG FELL printable interactive story (there will be an updated version, probably included at the end of the novel). VERY mild spoilers only so you can go ahead and read the non-edited version now – and it’s free.
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3. ATTACK OF THE CLOCKWORK ARMY interactive novel (playable on computer or your device as an app). You can choose to play as a member of the Muchamore family (which is the “canon” version of the tale) or avoid spoilers by choosing a different name (which automatically triggers a different tale). The beginning is free and the rest $2-$5 depending where you buy it.
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[Image by Michael Estrada, used with permission. http://www.deviantart.com/art/Steampunk-Nation-Australia-325090896]

Party Post-Mortem

At a typical book launch, this is what happens:

Someone does an intro; the author talks a bit and reads a bit; people buy the book; the author signs it; people mingle and eventually depart. There’s food and usually wine. A lot of launches happen at conferences, where new fans are everywhere… but mostly those potential fans ignore the launch and walk on past.

I hate book launches.

At a typical book launch, this is what happens (redux):

A desperate author silently screams for the fame and fortune that will never come. They dance like a chained monkey at the whim of social expectations and a necessary gamble.

An apathetic audience squirms inside, watching the slow death of dreams and wondering if the brie is still fit for human consumption (and if so, then for how much longer?) The cut-price chardonnay slowly warms to room temperature as the red wine and last hopes of artistic survival attempt to breathe.

Everyone (who knows what’s good for ’em) buys a book and the author signs them. There is an awkward pause, and then everyone goes home.

 

The above is not at all true of course; but that’s the experience as seen through a social anxiety disorder (combined with chronic illness and the associated financial problems laid on top of the pre-existing artist poverty). So, although book launches are legitimately fun, I just can’t handle them. There are only three possible social occasions more awful: a doomed wedding; a musical performance by someone I know (regardless of their talent level); a poetry reading.

One of the peculiarities of my anxiety disorder is that I’d rather BE the desperate author than watch them. I feel more in control; I am certain that whatever I feel is entirely delusion-free (even if I thought something quite different five minutes earlier); and adrenaline works with me instead of fighting against me.

In any case, with “Attack of the Clockwork Army” I decided to do things my way. So I had an epic book launch party that ran from 10 in the morning until 9 at night (that’s eleven hours) so people could drop in and drop out whenever. I hosted it at my own home, and welcomed both small children and strangers (an interesting combination). There was a room just for duplo, and a designated reading room.

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In this picture there are phones (including one toy phone), ipads, and a kindle. It’s not even the reading room, and that was fine by me! (I did spent some time in the reading room with two people showing them the mechanics of ChoiceScript. They and I enjoyed it thoroughly.)

I prepared various foods in advance, and cooked several low-maintenance things during the party – a chocolate fountain, sausage rolls, a terducken roast (duck and turkey and chicken), pre-mixed cookies.

And, to my amazement, people actually came. Here’s some interesting (to me) stats on the attendees:

People related to me (not counting people that live here): 10

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People from Canberra Speculative Fiction Guild (and their families): 11

Assorted friends and their families from various schools (including Louisette’s school): 9

Miscellaneous: 12 (including an ex, two complete strangers, one of Louisette and TJ’s babysitters, an ex-workmate, a role-player, a ballroom dancer, and someone I met at a party one time).

Total number of people in the house throughout the day: 46.3. And a cat. There was a moment after lunch when there was no-one there for about twenty minutes, and then the arvo crowd flowed in. Other than that, it always felt like a lot of people – but never so many that it was unpleasantly crowded (although in the morning there were 8 kids at once, which is a LOT – having a bucket of chalk outside was absolutely perfect.)

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-People who’d never been to my house before (from the above lists): 16 (one of whom I hadn’t seen for over ten years)

-In costume: 8

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-Kids: Twelve; all but one aged 5 or less.

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I didn’t do any official reading of the book at all (but encouraged people to read the book for themselves – it’s very easy to find on any app store; you just search for “Attack of the Clockwork Army” and it comes up with gratifying readiness).

But. My writerly friend (pictured here showing off his “Cat in the Hat” tattoo while playing with play-dough) decided to do a live reading of the romance scene. He was reading it for the first time, and he happened to have chosen the character of a lesbian woman.

That was an unforgettable experience.

 

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Not long after this photo was taken, Superman and Supergirl were having adventures outside when Superman decided it was That Kind Of Party and promptly got naked, immediately followed by Supergirl. Superman’s mum and I nearly died laughing.

As evening closed in, new clothes were applied and the party calmed down. TJ decided it was the perfect time to perform the famous “why-are-you-people-still-here-the-party’s-over” manoeuvre. He fetched his sister’s toy vacuum cleaner and got to work.

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He and Louisette had a marvellous day; I discovered the sheer culinary glory of double brie dipped in a chocolate fountain (DO try this at home, if you possible can); people discussed interactive fiction, famously awful parties I’ve hosted in the past (the one with the fake guests was only the second-worst); steampunk, gaming, when plates were invented, and data collection laws; my historical food expert friend discovered terducken (and white chocolate raspberry sorbet); a few people left reviews of the book in various places; and I had fun.

Pretty sure that means it was a success.

Every book launch should have a chocolate fountain, a lesbian man with a Dr Seuss tattoo, and a pair of buck-naked superheroes.