99 cents

IRON LIGHTS is on Amazon now, which probably means it’s almost everywhere! So to celebrate, Book 1: HEART OF BRASS is having a 99c promo.

I’m posting it here for those of you on an RSS feed.

https://www.amazon.com.au/s/ref=nb_sb_noss_2?url=search-alias%3Daps&field-keywords=felicity+banks

And here’s Zipper, but sideways.

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“Iron Lights” Book Launch

Book launches are like holidays*: You look forward to them like crazy, and then when they’re over you’re deeply relieved. Win-win?

The first and third books of my steampunk trilogy were launched at the Canberra Writers Festival (2016 & 2018; the middle book was launched at Conflux 2017).

In 2016 the venue was the National Library of Australia, which was very cool!

This year the venue was Kings Hall in Old Parliament House (aka the Museum of Australian Democracy). It is, technically, a hallway between the senate and the hall of representatives. It’s a very nice hallway.

The pic on the left was taken by a good friend of mine. It’s King George in his Order of the Garter outfit. I’ve never wanted to give ‘best steampunk costume’ to a statue before.

Here’s my friend’s son out the front:

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And one of the chambers, which I was entirely blasé about beforehand, but found very impressive when I actually walked in. The whole museum is brilliant.

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The rest of the pics in this blog entry were taken by the brilliant writer and photographer Cat Sparks.

The selfies I took were blurry, but these photos are great. As is this:

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This picture is an absolute classic. TJ was in a stroppy mood all day and his face and posture is so him I adore it. And I like the way my skirt looks, too.

I brought an adorable waistcoat for him, and offered several bribes for him to wear it—all to no avail. Oh well.

The mischief continued throughout the day, although between pouts TJ was not-so-secretly having a grand time. And Cat Sparks caught it all.

But this is my favourite TJ sequence (with my friend’s kid—Louisette was deeply missed but TJ adores him):

 

There were events in the rooms to either side, so foot traffic had a very dramatic ebb and flow as sessions started and ended. I gave TJ a balloon to play with, and many fond looks were cast his way by the passing crowds. Then the balloon popped.

Kings Hall has a highly polished floor and very little furniture. It echoes, amplifying sounds in an incredibly dramatic manner.

The balloon popped… like a gunshot.

The room paused, subtly, as everyone there (and in rooms beyond the hall) thought, “That wasn’t a gunshot. . . was it?”

I called out, “It was a balloon!” so nobody properly freaked out, but even so a couple of security types came and checked that yes, it was harmless.

So that certainly livened things up. I imagine that if a balloon had popped in the foyer across the road (that is, in the current Parliament House, where Barnaby Joyce was speaking) then the response might have been even more exciting.

Moving on.

Dymocks Belconnen supplied all the books for the festival, and did a great job organising everything at their end. (They now have IRON LIGHTS in stock—signed—by the way.)

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Here’s the crowd desperately trying to restrain their ecstasy at the very presence of the famous authoress Felicity Banks.

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Here’s a compilation of volunteers and audience, most of whom are wonderful friends of mine:

 

And here’s Katie, aka the writer KJ Taylor, another Odyssey author who assisted me in editing Iron Lights and then volunteered to introduce me.

You can actually see from the pics why I like her (and not just coz she’s a good editor, a flattering reader, and she bought me flowers).

I did the typical launch thing of blabbing briefly, and then doing a reading. I tend to read opening chapters so the text can explain itself, but I felt there was a bit of exposition and fourth-wall-cracking in the first few pages so I was planning to skip some bits. But then I did my practice reading**. My launch took place after a week of transparently selfish machinations among the Liberal party (turfing out yet another Prime Minister), while also forcing moderates to face the horrifying spectre of the awful Dutton and/or Scott Morrison and/or Tony Abbott (three of the most racist politicians of our time) gaining in power (we now have ScoMo as PM, who is the best of the three… which is not saying much). And it was all too appropriate to read every bit my opening chapter, especially standing in Old Parliament House. Things like. . .

‘I can hardly give your precious police force credit for catching me, since I appeared as expected at the door of Parliament, along with tens of thousands of signatures on the grand petition for women’s suffrage.’ I suppressed a shiver, remembering how frightened I was that day. ‘And what is more, that impressive battalion of police utterly failed to stop me’—I waved generally at myself, indicating my small stature and misbehaving red hair—’giving said petition to the relevant gentleman… which led directly to universal adult suffrage in this great colony.’

Dry clenched his teeth in a manner I found highly amusing.

‘In fact, if it wasn’t for sweet little Emmeline Muchamore getting shot,’ I said, ‘my own dear Matilda might not have been included in the victory for women’s suffrage.’

Dry wasn’t the only man to hate the original residents of Australia. I wondered what I would have done if the parliamentarians had spent longer thinking about who they wished to exclude from political rights, and was glad I didn’t have to live in that world.

and. . .

In a darker world, men like Dry would have made sure natives could never have a true political voice. Not as long as white men lived, or as long as their children and their children’s children readily took on the burden of hatred.

If ever my own book was going to make me weep, that was the moment.

—–

Back when PM Kevid Rudd finally apologised to the Stolen Generation, Peter Dutton walked out of the chamber, visibly showing his loathing for a simple apology.

Is there any more damning indictment on the man’s character?

Unfortunately yes. There is his treatment of asylum seekers. But I digress.

 

I said my bit, signed my books, lurked about the place in case the literary- and politics-loving crowd would like a bit of steampunk, and then went home.

The pic on the left above has a quote in the background that begins, “I’ve always loved politics”. It’s part of an exhibition celebrating female politicians.

More than one person has pointed out that Julie Bishop was virtually ignored by her own part during the leadership chaos last week.

What a time to release a (slightly) historical novel. We have come so far, and yet there is so far to go for Australia to be a decent and fair country.

I hope that my over-optimistic, magical, cheerful books can show a little of what Australia could be.

And I’m so glad I write fiction.

*when you have children and/or disabilities.

** on the way to the launch, naturally.

Me, me, me!

The brilliant writer and photographer Cat Sparks was kind enough to photograph the IRON LIGHTS launch at Old Parliament House today. If you’ve heard her name linked to the Canberra Writers Festival before, it’s because she was on some of the panels.

There are so many brilliant photos that I’ve decided to save this entry for pics that are specifically of me. Which is, not surprisingly, a lot. I suddenly have a million options for my next Author Photo.

The lady in the top hat is my friend, another Odyssey writer and also an editor for Iron Lights, KJ Taylor.

Tragically, Louisette was absent due to having a birthday party today. So no Sparksian pics of her.

Say what??

This weekend is the Canberra Writers Festival, and I have not one but TWO book launches.

Saturday is the official launch of MURDER IN THE MAIL: A BLOODY BIRTHDAY (complete with a week-long art installation) at The Front cafe & gallery (Lyneham shops, 3:30-5pm). It’s not officially connected to the Canberra Writers Festival at all, just happening on the same weekend.

Sunday is the official launch of ANTIPODEAN QUEEN 3: IRON LIGHTS at Kings Hall in Old Parliament House (2:45-3:15pm).

Here’s where it gets interesting.

The organiser told me that Kings Hall had standing room only for up to fifty people, and  no catering available.

This is a pic of Kings Hall from the Museum of Australian Democracy (aka Old Parliament House) web site:

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So it looks like there may have been a typo in the organiser’s info. Just a zero. Nothing much.

The space is suitable for FIVE HUNDRED PEOPLE.

From the MOAD web site: “The bronze statue of King George V in the regalia of the Order of the Garter has been a central feature of the hall since the opening of the building in 1927. Open to the public from the earliest days and situated between the House of Representatives and Senate Chambers, it was a busy crossroads. During parliamentary sittings King’s Hall was a hive of activity swarming with members and senators, officers, journalists, secretaries, public servants, lobbyists and tourists.”

It’s really just a foyer/hallway. But WHAT a foyer (from the same web site).

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Since then I’ve spoken to the organiser again, who assured me there’s lots of other stuff going on, and that his description of “standing room only for 50 people” was accurate.

So, in conclusion, the space is SOMEWHERE between tiny and enormous. We may or may not have a microphone. We may have all of Old Parliament House mostly to ourselves, or we may be cramped behind a column in the foyer. Anything could happen!

See you Sunday?

Cover Reveal: Iron Lights

Here she is, in all her end-of-trilogy glory:

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And with her sisters:

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Wow. I can’t wait to have all three on a table.

Speaking of tables, this weekend is GammaCon Canberra, for all your nerdy needs!

You can find out more here, or just show up at Exhibition Park between 9am and 5pm this weekend (or 6-11pm Saturday, for Gamma @ night—yes I’ll still be there, drunk on tiredness).

Fan Art

Choices That Matter is a serial story hub app by Tin Man Games. KG Tan is the project head and editor. The stories are:

And The Sun Went Out written by KG Tan, Alyce Potter, and myself.

And Their Souls Were Eaten written by yours truly (edited by KG Tan and Phill Berrie).

And Their Heroes Were Lost written by Phill Berrie (edited by KG Tan and yours truly), which is still getting periodically updated at the moment (the ‘serial’ part of the app).

 

All of which is to say that there is a bunch of awesome fan art out there, and it’s high time I collected some here!

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This is Etienne Sole, one of the love interests in And The Sun Went Out. The artist is Frey. His website is here and his twitter is here.

 

There’s more gorgeous And The Sun Went Out art here (but I can’t figure out how to contact the artist).

And here (same artist as the above link).

If you know of more fan art out there please let me know. I’ll share anything G-rated (and I love knowing about it all, OF COURSE).

TrailerFest 2018

Today I decided that my 2-3 (I honestly don’t know) YouTube accounts needed tidying up, so I started a fresh new channel (because that simplifies things, right?) using the MagicintheMailStories@gmail.com email account.

As you may have guessed, I love doing my own book trailers. It’s so much fun!

The channel is here (don’t click on that; they’re all right here).

Then I slightly-edited ALL my existing book trailers to make sure they all link back to my store, and put them all on the magical new channel. And here, for your convenience… including the NEW trailer for IRON LIGHTS (with a sneaky cover reveal)… are all my book and story trailers thus far.

Antipodean Queen 1: Heart of Brass

This trailer took several days to make as I tried to capture the sense of the novel via visual images (a process that became tradition for all three Antipodean Queen trailers). It’s the first trailer I ever attempted, and my first go at iMovie too. I’d filmed the waterworks engine at the Goulburn Waterworks Steampunk & Victoriana Fair the previous October, and several of my friends like steampunk and/or historical garb (and dancing) so I found quite a lot of images that way, then filled the trailer out with some stock images, and some pics from Michael Estrada (who is very generous with his images; I found him on deviant art by accident some time ago).

There’s some adorably (I hope) bad photoshopping here, too: Combining a stock image of steampunk people with my own photo of a hot air balloon; the top hat on this trailer’s version of Matilda; the clumsy erasure of a modern background.

I have my own ideas about which people in this trailer represent which characters. The couple in the thumbnail are now married so they fit Matilda and Patrick rather well. In fact I usually run into them at the Goulburn Fair.

I remain pathetically grateful to FLAP! for letting me use three of their songs (one per trailer). I’ve seen them live twice (first in Melbourne, then Canberra) and I hope their component parts are still making music. This song is a true story about a convict’s attempted escape from a Tasmanian prison. The second is also a true story… this time about the time the lead singer fell off a cliff and broke both her legs!

Antipodean Queen 2: Silver and Stone

I was delighted to discover that the model Irina Braga (who features on the covers) had done three different steampunk photo shoots. The image below is one that hasn’t been altered. I actually stumbled across her husband on one of the facebook steampunk communities I’m part of, and he bought a copy of the first book.

This trailer benefited from the advance knowledge that it would exist; I deliberately collected images over time. One might argue that my daughter is the star here, and I am absolutely fine with that.

I’d noticed at my first book launch that it’s worth taking a moment to explain what steampunk is before carrying on. And that it’s fun to mix videos with still images (although stock video costs a LOT).

Yes, the first image after the opening train is indeed me, looking rather younger and fitter than I do these days. But I still have that corset 🙂

Antipodean Queen 3: Iron Lights

This trailer didn’t cost a cent. Almost every picture (and all three videos) were taken at—again—the Goulburn Waterworks Steampunk & Victoriana Fair. In fact the lady with the wings (Leanne, I think) had a not inconsiderable influence on the plot.

Eagle-eyed viewers may notice that the British flag-vested gentleman is the very same man that I thought of as ‘Patrick’ in the trailer for Heart of Brass, and that there are at least three versions of Emmeline in the one trailer (the woman with the clockwork handle in her back is author and model Tara Moss, who is a simply fantastic human being).

I was careful to include both my children this time. TJ is the boy in the brown aviator hat; Louisette is the tiara-wearing pirate (apparently “more treacherous than any sea” although she certainly doesn’t look it).

I LOVE the image of the three books side by side, and went back to add it to trailers #1 and #2.

The pictures of the lighthouse and the sea were all taken by me at the Lonsdale Lighthouse. ‘Miss Venture’ is a real historical image that I based the character on.

IRON LIGHTS will be launched on Sunday 26th August 2018 2:15-2:45pm at Kings’ Hall (Old Parliament House) as part of the Canberra Writers’ Festival.

Heest Trilogy 1: The Monster Apprentice (set in Rahana)

I wanted this trailer to feel quite different, so I hired some actor friends and told a story (of sorts) through the videos & music (this was a very expensive trailer). When I had all the internal illustrations, I added several of Tash Turgoose’s pics. I’m very pleased with the result.

Murder in the Mail: A Bloody Birthday

The fundamental appeal—and difficulty—of the “Murder in the Mail” story system is that it has to be explained to every single reader. For that reason, I tried to be as clear as possible. I filmed relatives of mine posting and retrieving A4 envelopes from mailboxes, and ultimately only used the “recipient” footage (although I like it a lot).

Louisette did some very matter-of-fact acting which I wanted to include but the “Murder in the Mail” artists gently pointed out that having a child prominently featured was rather confusing for a murder mystery story.

For some reason Adobe gave me several free stock images at just the right moment, so I used that plus some of the art that I had permission to use publicly. I paid for the music.

This trailer was very useful for the Kickstarter campaign, as it’s well above the usual Kickstarter video standards. This is what my trailers look like when I’m trying to be closer to the ‘professional’ end of the ‘professional to quirky’ scale.

Magic in the Mail story series (Emmeline’s Empire and Feuding Fae)

This trailer took perhaps half an hour, and cost nothing! The song is the same song that’s included with the Magic in the Mail: Emmeline’s Empire story, and I used 100% art images rather than stock images. I copied and pasted the Murder in the Mail trailer into a new file, and then simply changed it from there, being careful to echo the beats of the original without making the two trailers identical.

And since Magic in the Mail is more child-friendly than Murder in the Mail I could use Louisette’s face in this one. Winner.

 

Do I have any advice for people making their own trailers?

Hmmm. Try to keep it under a minute, with striking images and emotions that give a sense of the book rather than necessarily focusing on plot or characters.

Have an EPIC cover.

Keep in mind that you can get a pretty decent book trailer for $5 or so. 😛

Magic in the Mail

The (first?) “Murder in the Mail” Kickstarter was successful, raising thousands of dollars. You can read more about that story here.

As you can probably guess from the title, this led to further shenanigans.

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There are currently TWO “Magic in the Mail” stories in development:

Magic in the Mail: Feuding Fae

This is a tale of two missing magical creatures; a phoenix and a water dragon.

Phoenixes and dragons hate one another, so foul play seems likely. Their concerned parents team up with some magic-sensitive mortals to follow the missing “children” and perhaps save their lives. The missing ones have left a trail of art behind them (because an encounter with a magical creature inspires wonderful art).

It is posted in three parcels, and includes artistic objects which you’re going to love!

It is also 100% G-rated.

$50 plus postage (or $40 if you buy the boxed set in person at a conference/fair) through the store right here.

The first mail-out will be June **2019** but you can make preorders now.

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This beautiful anuragnathus (yes it’s a real dinosaur) by Alan Lam is part of the story—and yes, the Chinese character is both a clue and a red herring.

What does a dinosaur have to do with a story of magical runaways?

You’ll have to buy the story to find out.

Magic in the Mail: Emmeline’s Empire (mini story)

This is a steampunk fantasy tale set in the same world of magical metals as all my other steampunk, including my novels (in fact it takes place at the same time as part of Iron Lights and the game Attack of the Clockwork Army).

A Perfectly Ordinary (she says) shop-keeper named Xiong joins a fledgling rebellion headed up by the famous Emmeline Muchamore. It’s a tale of secrets, hope, aeronauts, lighthouses, an alternate reality Charles Dickens, and fruit ices for all.

$30 plus postage (in a single pack because I’m trying to keep it affordable) from my store here. Available now!

The first mail-out is. . . within 6 months of the first order. Probably more or less instantly. This story is a much smaller operation than the others. I’ll be feeling my way as I go.

A stripped-down version will be included with my third steampunk fantasy novel (available in August 2018), with just two black and white pieces of art included. The full version has a build-your-own hot air balloon, handmade jewellery and a steampunk song by the Littmus Steampunk Band!

Here’s one of the pieces of art. This is a print of an oil painting by Graham Gercken, who takes special orders.

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Since people tend to feel strongly about the genres of both crime and fantasy, “Magic in the Mail” has its own forum, here.

 

All my stories are available through my store here.

The familarrr

Edit: For those of you who keep telling me you wish you could make it to one of my Interactive Fiction workshops (I generally run one at Conflux every October long weekend), here’s a video course I made on udemy: Introduction to Interactive Fiction. It’s $20.


 

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This was, of course, taken at the Pirate Ball & Book Launch last night.

Here’s some more:

 

Time for a rest!

My next public event is a talk/workshop on Interactive Fiction at the University of Canberra on Friday 2 March 5:30-7:30pm. It’s a rare opportunity to talk IF with me for free, and it’s open to the public.

If you read the dedication to Silver and Stone you’ll know that this group took me in when I was scrambling to write the second Antipodean Queen book. They’re a smart & friendly crowd and I recommend checking them out.

Their facebook page is here.

Monstrous Interviews

If you thought you heard me on One Way FM Canberra this morning, you’re quite right. Priscilla and I got on so well I’ll be returning on Thursday 22nd to talk about how the pirate ball went. And… I might just give a book away on air.

Here are some fun bits of online-only content linked to The Monster Apprentice!

​Here is info on the Pirate Ball this Saturday. (Or here, if you prefer facebook.)

And here’s ANOTHER interview, this time by Megan Higginson, as a blog entry (rather than a podcast or radio interview).

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I haven’t decided on my full outfit, but I’ll definitely be sporting a white puffy shirt and an ever-so-buckled overshirt.

The Monster Apprentice is available for pre-order through Odyssey Books, and I’ve also seen it for pre-order on Amazon Australia, which means it is or soon will be at all the usual online places, and will gradually trickle into some bookshops. You can order it into any bookshop or library.

ISBN: 978-1-925652-13-0 (pbk) | 978-1-925652-14-7 (ebook)

Murderous Kickstarter!

The Kickstarter for the first Murder in the Mail story is now live. It’s packed with unique rewards. Most are available anywhere in the world.

Murder in the Mail tells stories through letters, objects, and artworks mailed to the reader over several weeks.

The first story is A Bloody Birthday.

Naomi, your cousin, is killed at her own birthday party. One of the guests is the killer, and you have asked them all to write to you and send artworks to help you figure out who could have done such a thing.

Every letter, object, and piece of (quality-printed A4 size) art holds at least one clue.

There is a forum for readers to talk to each other at murderinthemail.boards.net.

I am the curator as well as writing one of the characters. There are twelve writers/artists altogether.

Monster Apprentice Easter Eggs

I was eighteen years old, sitting on a folding chair on a polished concrete floor in an Indonesian classroom. It was hot, and I was daydreaming, and I had an idea.

What if I invented a world complicated enough and rich enough that I could write all kinds of books in it? What if that world was different to all the straight-white-male-authored fantasy that I’d read growing up?

So I invented Rahana, a world based on Indonesia, where every island is physically and culturally different to the rest, where the weather is always tropical, and where magic is so common that physical strength is irrelevant.

Over the years since then I’ve written many stories set in Rahana, and expanded my horizons by travelling on the Young Endeavour sail training vessel. Now, almost twenty years later, my first Rahana book is about to be released.

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I am absolutely thrilled that Tash Turgoose (author of “Makeshift Galaxy”, and now one of my “Murder in the Mail” writer/artists too) is doing internal illustrations for this series. These are some of the pictures that had to be left out for reasons of space:

 

And here is a real-world recipe for Toffee Fish:

Ingredients:

-Four salmon fillets

-Four tablespoons maple syrup

-One tablespoon sesame oil

-One tablespoon butter

-Four cups cooked rice

-One cup peas

-One cup corn kernels

-Two teaspoons sesame seeds

 

Method:

  1. Marinate the salmon in the sesame oil and maple syrup for up to twenty-four hours.
  2. Melt butter in a frying pan and add the rice, peas, and corn. Stir occasionally.
  3. Line a tray with aluminium foil and lay out the salmon fillets (skin side up if you are using fillets with skin), drizzling a teaspoonful of the remaining marinade mixture on top of each fillet. Cook at 180 degrees for 10-15 minutes.
  4. While that is cooking, add the rest of the marinade mixture to the rice mixture and continue cooking it until the salmon is ready.
  5. When preparing the plates, put the salmon on top of the rice (skinless side up if you are using fillets with skin) and sprinkle it with sesame seeds.

 

Serves four

 

A little piracy

Last weekend I ran a stall at CanCon for three days. It’s Canberra’s biggest board game gathering, and this was the 40th year.

 

I wore corsets! It was so exciting! And there was a T-Rex. I’ve already booked the exact same stall location for January 2019.

I also wore my pretty pretty princess outfit:

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I didn’t actually take a proper camera. Most of these photos were taken on my kindle (NOT recommended, but awfully handy at times).

I’m uncommonly proud that I wore my hair three different ways over the three days. I’m often too tired to brush it before leaving the house.

My new and improved post-surgery body held up pretty well, although I was as careful as I could be while still staffing the stall. I rested a lot today, and I’m pretty sure I didn’t do any permanent injury to myself (I had a lot of ominous blisters and aches and suchlike, but luckily I have a lot of hospital-grade bandages which I used with great care, changing them every day). My wheelchair was handy because it made me feel comfortable sitting down (otherwise I’d feel rude), and because the armrests help support my back.

I sold a massive amount of books, and let a lot of people know about the free pirate ball happening on Saturday 17 February. My daughter also celebrated her 6th birthday on Saturday morning with a dress-up pool party (while my fellow author, Annabelle Lee, manned the stall at CanCon). Two of the younger siblings of her friends are BFFs with my son, so I took one of my favourite sets of photos ever:

These three boys are just as adorable in real life as they look in the pictures.

On the last day of CanCon I received the full set of illustrations for The Monster ApprenticeTash Turgoose does photorealistic pencils and I’ve been dying to see her work. Here are three small versions of some important characters: Captain Sol, an evil pirate; the heroine, Dance, coming face to face with a heest monster; and Ransom, who. . . well, you’ll have to read the books to find out.

 

You can immediately see that the fantasy world of Rahana was inspired by Indonesia. And that asking to have Tash Turgoose illustrate the books was a genius move on my part. I saw her book, Makeshift Galaxy, and I’ve been in awe ever since.

Why YES, she is one of the authors (and writers for that matter) for Murder in the Mail. Incidentally, I’m already taking pre-orders for Murder in the Mail. Details in the forum here.

The Monster Apprentice will be launched at the pirate ball on Saturday 17 February. It’s Book 1 of the Heest Trilogy, which is suitable for 10-14 year olds (and also people like me, that just like a great story). It’s likely there are more Rahana stories to come after this trilogy, too.

Sandy Fussell is one of my absolute favourite children’s authors (I own the entire Samurai Kids series), so I asked her for a cover quote for The Monster Apprentice. She gave me a selection! Here’s one:

  • The Monster’s Apprentice will transport you somewhere wonderful, unlike any world you’ve imagined. Caught between terrifying Heest monsters and murderous pirates, with only her name for a weapon, Dance must defend the ice island of Luar and its people.

She also said “I wish I had Felicity’s imagination” which is simply ludicrous. If you read any of her books, you’ll know why.

But I don’t mind a little flattery. I am a writer, after all.

And here’s the final trailer for The Monster Apprentice, for the three humans who haven’t seen it yet.

https://www.youtube.com/my_videos?o=U

 

Murder for Fun and Profit

The Kickstarter for “Murder in the Mail: A Bloody Birthday” was fully funded, and the story will be officially launched (as part of an art exhibition) in August 2018.

It is available for purchase in its “full” format until September 2019 right here, after which it will be available as a visual novel published by Publisher Obscura.

The full list of contributors is here, with pics (and book covers of the writers).

Here’s the trailer:

 

Here’s the same (nearly) trailer, but with me yabbering at the end. This is the trailer we used for the Kickstarter (before the store was set up).

Murder in the Mail is a story told through letters, objects, and artworks physically posted to the reader over the course of eight weeks.

The reader is a character in the story, invited to guess the identity of the killer each week. The Murder in the Mail forums are a place where readers can compare clues and insights, helping (or hampering) one another. Everything, including the art, contains clues to be unravelled.

The first story in the series is A Bloody Birthday.

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(Like the logo? It’s by Publisher Obscura author Annabelle Lee.)

A group of art students gather at a birthday party where the guest of honour is murdered. One of them is the killer.

You ask the group of friends to write letters to you, talking openly about what happened, and sharing art works they’ve done in the period of time before, during, and after the party.

People say artists show their soul through their art. . . now it’s up to you to discover the darkness inside someone you trusted.

 

There are eight beautiful pieces of art included with this story, all made by Australian artists (almost all of whom I scouted out personally here in Canberra). Every character is written by a different published Odyssey Books author (including Tash Turgoose from the Publisher Obscura imprint). The objects in the story are chosen to involve all the senses, and the art was chosen to be (a) Beautiful (b) Varied in style and medium (c) Packed full of clues.

For example, this picture has five clues in it.

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That beautifully intricate piece is by the artist Shauna O’Meara.

(Fun fact: This is not the final version of the pic. Can you spot the difference between this and the “real” one sent to readers?)

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During the Kickstarter period, there were a range of unique items for people to purchase, such as premium versions of the story or custom-made art by the featured artists.

There will be a very special launch on 25 August here in Canberra, and an exhibition at the Front Cafe Gallery in Lyneham (within sight of Tillies).

If you want to know more, you can email MurderintheMailStories@gmail.com or visit the official forum at MurderintheMail.boards.net.

You can buy it through my store here.

Here is another one of the artworks that will be in the story:

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It’s by Adam Lee.

Eight weeks is a long time to worry which one of your friends is a killer (even when the friends are fictional), and there are also some Easter Eggs and clues that are quite obscure. So go ahead and lurk and/or join the forum here. There’s lots of space to talk about other art and other types of stories. If you are an Australian or New Zealand resident and an artist, please share your style and details there. I will be actively scouting the forum for future stories.

I’ll be going to various conferences this year, and the first cab off the rank is Canberra’s biggest gaming conference, CanCon, in C Pavilion near the vast Games Library.

Feel free to come and chat, buy my books (or Annabelle Lee’s books), playtest some of my interactive fiction, and perhaps order a copy of Murder in the Mail for yourself or someone who would kill for it.

Oh, and there’s a facebook page here where at least one of our early reviewers will be sharing her first impressions.

Since the Kickstarter, I’ve been selling special box sets at all the conferences/fairs/etc that I attend, ie:

Sydney Supanova (June) in the Artist Alley stall “Publisher Obscura”
GammaCon Canberra (August) in Artist Alley
Canberra Launch (probably as part of the Canberra Writers’ Festival) August
Conflux Canberra (September-October)
Goulburn Waterworks Steampunk and Victoriana Fair (October)

There will be limited quantities of the packaged version, so email me in advance if you’d like to reserve one.

YES there are two “Magic in the Mail” stories in development right now! You can see more at the Magic Forum, and/or check out the whole store here.

THE MONSTER APPRENTICE Book Trailer

Yes, books have trailers now.

Yes—as is utterly obvious even on first viewing—I make my own trailers. It would actually be cheaper for me to hire someone else to do it. You can get a professional-looking trailer for around $5 if you know where to look. This trailer cost considerably more than that (I paid for music, actors, and three video clips).

The thing is, although I can barely navigate iMovie (or anything more complicated than a text document with a few hashtags and such for coding interactive fiction), I just adore putting together book trailers. For me they’re a great way to draw people quickly into the mood of the tale. And although I’m overwhelmingly not a visual artist, I admire it when I see it, and I like to dabble.

So without further ado, here is the first trailer for The Monster Apprentice:

 

NB: I accidentally deleted the rest of the credits on the Monster Apprentice trailer, which will eventually read:

With thanks to

ACTORS STEPH MATTHEWS AND ROBBIE MATTHEWS

BATTLE TRAIN MUSIC BY RJ WILX,

VIDEOS BY VIDEODIVE, CAPESCAPE, AND  VIDEOSTUDIO

This trailer kicks off a new series, for a new audience (children/tweens rather than adults/young adult) and is certainly has a different feeling and style to my other trailers. I’ve played it about a dozen times for my kids (and of course, roughly a million times for myself).

Here’s my other two (so far) trailers:

Antipodean Queen 1: Heart of Brass

 

Antipodean Queen 2: Silver and Stone

I will be doing two more this year! One for Murder in the Mail: A Bloody Birthday (that’ll be interesting—the trailer will need to explain how it all works), and one for Antipodean Queen 3: Iron Lights.

Heest 1: THE MONSTER APPRENTICE

You can buy the first book here, and in all the usual places (both online and in stores).

The heest are enormous monsters that live in the magically-sustained ice of Luar Island. They are both more and less than they seem.

When I was eighteen years old and living in Indonesia, I invented a fantasy world called Rahana. It is a place with thousands of islands and millions of potential stories, where magic is considered to be just another trade. Rahana is like Narnia, but with pirates.

The HEEST trilogy is written for children (but is, as always, the kind of thing I love to read as an adult).

The first book is THE MONSTER APPRENTICE. All three books will be illustrated by the glorious talents of Tash Turgoose and Lucie Mammone.

You can order it into any bookshop or library, buy it on all the usual online retailers, or buy the physical book directly from me (signed*) here.

ISBN: 978-1-925652-13-0 (pbk) | 978-1-925652-14-7 (ebook)

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The cover is here!!

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FYI, if you haven’t read Sandy Fussell’s books, you’re missing out. I especially love the Samurai Kids series. She is also a fantastic human being, which doesn’t hurt!

Here’s the trailer, with sneak peeks at some of the glorious internal illustrations by Tash Turgoose:

 

And here’s the opening:

CHAPTER ONE

I awoke from a dead sleep – for once, a sleep without nightmares. My bedroom was pitch black and silent, but my heart was racing. Then the sound came again – a man shouting at the top of his voice. He pounded at my family’s front door.

“Elder!” The man’s voice was sharp with terror. “Elder, wake up!”

The night air was hot and still. My sheets lay in a crumpled heap on the floor. At the open window my curtains hung in unmoving black lines. No wind slid through to ease the stifling heat. My mane oflong black hair felt heavy around my head. I didn’t dare move.

Dad would check on me before he went to answer the yelling. Ever since my twin sister died, he was that type of dad. Whenever he felt worried about something, I was told to go to my room – to sleep, if it was night time. No matter how many nightmares I had.

He was forever telling me to be careful, – but I was definitely not going to miss out on the fun this time. So I remained curled on my side as if I hadn’t heard a thing. If he didn’t tell me to go back to sleep, sneaking out wasn’t disobeying him. Not exactly.

“Elder, please!” The man’s voice broke, and I recognised him. It was Watchman, who spent each night staring out over the sea. I felt my first delicious shiver of real fear.

Still I didn’t move. I stared at my curtains, since they were directly in front of me. The black stripes looked like prison bars. Everyone  single person on the island had jail-bar curtains, since only one ship had brought curtains to Luar in twenty years. Dad could have organised more traders, but he chose instead to keep Luar Island as secret as possible. He wanted everyone to be safe.

Watchman hammered again on our heavy wooden door. I held my breath. Something was happening, and I was going to find out what it was – no matter what.

My bad eye skittered to the side, giving me half a view of the three carved masks hung on hooks on my wall – my most recent school project, worth a king’s ransom on any other island. Luar Island’s odd trees didn’t grow anywhere else – only magic could excuse the fact that explain how they grew at all – and as a result Luar’s art was more delicately carved than anywhere else in the world. And more valuable. We only used it for art – never for houses or burning. And on Luar, everyone was an artist.

“Elder!” cried Watchman. “Elder!”

“I’m here!” Dad called back.

The air tasted thick, like porridge. I wrinkled my nose at the smell of my own sweat, and listened to Dad’s measured footsteps. Dad never hurried anywhere. My door shushed in and out as he checked on me and then went to answer Watchman. Yellow light from his candle danced beneath my door, casting monstrous shadows.

After I counted three of his footsteps, I placed my own feet one by one on the cool trader wood of the floor. I slipped my shoes out from under the bed and put them on, lacing them tightly. Biting my lip, I ignored the clumsiness of my shaking hands.

If Dad called me I’d be dressed and ready: a proper daughter to Luar’s Elder. Just like my sister would have been.

If he didn’t call me, there was always the window.

The front door squeaked as it opened. Watchman stopped yelling. Usually he spent the night huddled on the far hilltop, keeping an eye out for the rare ships that knew to bring grain or cloth to trade for our precious carvings. It was his job to light the beacon fire to guide them to shore.

“Raise the village,” he gasped. “Pirates!”

 

Antipodean Queen 3: Iron Lights

That’s right! The title has changed.

This is the final book in my magical steampunk trilogy. The first book is HEART OF BRASS and the second is SILVER AND STONE.

You can buy IRON LIGHTS here or a full Steam & Sorcery pack here (it includes all three novels, and the full version of Magic in the Mail: Emmeline’s Empire), or at Dymocks Belconnen.

It’ll be all over the place, in both print and digital formats, this October.

Emmeline Muchamore was respectable once. Her sweetheart, Matilda Newry, certainly put a stop to that. But when Emmeline gains magical insight into a disastrous future battle, she weaponises her wild reputation in order to draw trouble and death away from her adopted home…risking everything and everyone she loves in the process.

Iron Lightsis a steam-powered tale of honour, love, magic, adventure, and mechanical spiders.

The book was launched at the Canberra Writers’ Festival (26 August 2018) and is now available in paperback via my store. Digital versions at Amazon etc will be out soon.

ISBN: 9781925652444 (paperback)

The Iron Lights of the title refer to two famous historical lighthouses which play a vital role in the tale. There will be new and dangerous magic, another evolution of the flying machine, a clockwork army, and [redacted].

Here’s the opening:

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If you’re worried that you won’t have any more of my books to impatiently wait for. . . don’t. I have another full trilogy already written and edited and waiting in the wings.

When I was eighteen years old and living in Indonesia, I invented a fantasy world called Rahana. It is a place with thousands of islands and millions of potential stories, where magic is considered to be just another trade. It’s best described as being a lot like Narnia, but with pirates.

The HEEST trilogy is written for children (but is, as always, just the kind of thing I love to read).

The first book is THE MONSTER APPRENTICE.

My 2017: No wonder I need a lie down

What an epic year. I spent over 15 years of my life writing novels that nobody would touch, and now that it’s started to rain it’s pouring (which is a wonderful thing).

I spent vast amounts of time on the Tin Man Games “Choices That Matter” app (Google Play and iOS). It’s a story hub for serial interactive tales and it has over a million downloads of the free sample sections. The three stories so far are:

“And The Sun Went Out”

A near-future scifi which I co-wrote with KG Tan and Alyce Potter. It had 60 updates over 15 months, and clocked in at just over 600,000 words (longer than “War and Peace”). Each read-through is about 150,000 words.

“And Their Souls Were Eaten”

I wrote all of this one (edited by Phill Berrie and KG Tan), set in the same steampunk universe as my Antipodean Queen novels, but with a completely distinct magical problem (and taking place in Europe). The finished tale is 400,000 words long, and after that I had a nice lie down.

“And Their Heroes Were Lost”

Phill Berrie is writing, and KG and I are editing (oh how the tables are turned, hey Phill?) This is also sci-fi, but I don’t want to give away any more than that! Phill is still working on this story, and his fans are clamouring for each new update.

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I also wrote, edited, and published the novel “Antipodean Queen 2: Silver and Stone“, and will be finishing that trilogy in 2018 with “Antipodean Queen 3: Iron Lights” (that’s right: the title has changed since Book 2 was published).

AND my actually-rather-good pirate fantasy trilogy for kids (like Narnia, but with pirates) that I wrote many years ago has been accepted for publication and shall begin release with a free pirate mini-ball (live music, prizes, costumes, and everything!!) on Saturday February 17th.

“The Monster Apprentice” is the first book. And it’ll be illustrated, too! Plus (shh don’t tell) one of my very very very favourite Aussie authors is going to read it and give me a cover quote!

And I have three other very exciting projects coming out in 2018! One I can’t talk about yet, one will be published on the premium label at Choice of Games (they pay VERY well for books that make the premium grade), and one is called “Murder in the Mail: A Bloody Birthday” and is a murder mystery told entirely through postcards, letters, objects, and art. That link is to the shiny new forum where readers will be able to talk to one another about who they think is the killer, and how much they love all the art I chose!

2017 was a great year for my writing, and 2018 is going to be even better.

I is happy.

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Things are looking up.

Pirate Ball

It’s official. I can wear corsets again.

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And with three book launches this year, it’s not a moment too soon.

Do you live in Australia?

Do you live reasonably close to Canberra?

Do you love the Narnia books?

Do you love pirates?

Do you love live music?

Do you love dancing (and/or watching others dance)?

Do you love dressing up (and/or seeing those who do)?

Do you love chocolate coins and fairy bread?

Do you love prizes?

On Saturday February 17th 2018, the first book in my tween magical pirate trilogy will be released with an enormous free PIRATE BALL hosted by the epic Earthly Delights Historic Dance Academy.

They have agreed to run a pirate ball for their monthly extravaganza (7pm-11pm, $25) AND a free mini-ball/book launch for me from 6:30-7pm with lots of great beginner dances for all ages. My kids will be there, that’s for sure.

There will be prizes for best dressed, and for the treasure hunt.

There will be live music.

There will be professional dancers scattered among the crowd.

There will be wonderful and enthralling outfits both piratical and historical.

There will be free food.

There will be my Rather Excellent fantasy pirate novel, The Monster Apprentice, on sale and ripe for signings (along with Heart of Brass and Silver and Stone, naturally).

Date:

Saturday February 17th 2018

Location:

Canberra Baptist Church Hall, Currie St, Kingston

Times:

Free book launch and mini-ball 6:30pm-7:00pm including prizes and activities.

$25 full pirate ball 7:00pm-11:00pm

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Avast! Unlock yer daughters and belay any other plans!

Feel free to RSVP in the comments, and let me know if you’d like me to wrangle some discount ball tickets for you. I might just be able to find some… one way or another.

New News!!

To get discount tickets to the full-length ball (7-11pm), go to:

www.earthlydelights.com.au/upcoming

Adult Tickets are $25 at the door

Online Tickets are $22.50 for adults

If your friends buy online using the code PIRATES they can buy them for $20.00 each